Paithiakaaran-1947

Image given by Roop Kumar

Cast M. G. Ramachandran

N. S. Krishnan,

T. A. Mathuram

S. V. Sahasranamam

D. Balasubramaniam,

S. J. Kantha

Produced by : N.S.K

Director : Krisnan-Panju

Music : CR .Subaraman

Story View

T. A. Mathuram promoted a movie company named after husband N. S. Krishnan, mainly to generate money, and a film Paithiakaaran (Madman), based on her troupe’s successful play of the same title, was launched. Written by S. V. Sahasranamam, it drew inspiration from the V. Shantaram classic Duniya Na Mane. The film dealt with socially reformist issues such as remarriage of young widows, elderly father objecting to the widowed daughter remarrying while he marries a young woman as soon as his first wife dies and the young bride refusing to be his wife preferring to treat him as a father, which were ideas ahead of time in Tamil cinema. N. S. Krishnan entered the film while it was under production after serving a 30-month prison sentence following the sensational Lakshmikantham Murder Case. A character was created for him, and Mathuram played a dual role as Valli (teaming up with NSK) and as the heroine. He remained his cheerful, humorous self, cracking jokes and evoking laughter even in prison. Indeed, he had rendered a satirical number about his jail sojourn in ‘Madman’ (that’s how the film was commonly referred to). The song ‘Jailukku Poi Vantha…’, which he sang in his usual breezy style, proved popular and is the only feature of the film that is remembered to this day! In this song, NSK highlighted life in prison, the kinds of prisoners, the good, the bad and the ugly, and how one need not worry about where one’s next meal comes from! A popular song by Kavimani Desigavinayakam Pillai, ‘Paattukkoru Pulavan Bharathiyada…’, was used in the film in a dance sequence enacted by T. A. Jayalakshmi (heroine of AVM’s Naam Iruvar) and two others. NSK’s fame grew after this release and he had a bright innings as director, producer and political enthusiast, soon emerging as a cult figure. Krishnan-Panju directed the film and Sahasranamam told this writer that many scenes featuring MGR who played a supportive role, were directed by NSK himself. Sahasranamam, a socially conscious person, formed his own troupe and staged plays conveying reformist messages. Paithiakaaran was one such early effort of his. The play staged at the famous, but now non-existent, Wall Tax Theatre (known to local Tamils as ‘Othavaadai Kootthu Kotta’!) became a success after T. A. Mathuram came out of a self-imposed exile following NSK’s imprisonment and played the lead role. Her mere presence made the play a box-office success. It was then the decision to make it into a movie was taken. The sadly forgotten South Indian film pioneer S. Soundararajan (Tamil Nadu Talkies) financed the venture mainly because of his friendship with Krishnan-Mathuram. Remembered for: Being the successful comeback vehicle of N. S. Krishnan after his release from prison, his famous song about life in prison, and the film’s socially reformist theme.

RANDOR GUY

Article from Hindu

Released on : 26-09-1947

Marmayogi- 1951

Cast

M.G.Ramachandran(Karikalan)

Maduri Devi

Anjali devi

Production : Jupiter Films

Music : C.R.Subbaraman

Dialogues : A.S.A.Sami

Direction : K.Ramanath

Story View

A courtesan (Anjali Devi) comes to a palace and gets involved with the king (Serukalathur Sama), plotting to kill him and usurp the throne. The king survives the assassination attempt and flees. He returns, disguised as a sage and tales a position in her court. His son Karikalan (MG Ramachandran), saved by the commandant, grows up as Robin Hood type of do-gooder, protector of the oppressed and who organizez them against the courtesan. After much royal intrigue and sword play, the sage exposes the courtesan in front of the people. She dies of shock while the prince marries the commandant’s daughter (Madhuri Devi).

It ran for 151 days

Released on : 02-02-1951

RAJAKUMARI - 1947

STAR CAST





M. G. Ramachandran (Character Name : Mohan)
M. N. Nambiar
M. R. Swaminathan
T. S. Balaiah
'Pulimoottai' Ramaswami
K. Malathi
Thavamani Devi
M. M. A. Chinnappa Thevar.


Story View


Around 1946 Jupiter Somu asked A. S. A. Sami to develop a screenplay which he could direct himself. Sami worked on a folklore story into which he wove many elements of popular appeal...Arabian Nights… The Invisible Man… other folk tales of our own land, he wove them all into a screen story. When Somu had made it clear to Sami that as he was raw and untried talent as a director, he would have to work only with artistes on Jupiter's monthly roles and not the big names with high price tags. But, much to Sami's surprise the Jupiter boss came out with other ideas after he had read the screenplay. He felt it was too good to be made with small fry studio staff artistes. For the hero and heroine he suggested P. U. Chinnappa and T. R. Rajakumari, big names of the day. In fact, Somu gave the name of that actress for the title of the proposed film 'Rajakumari'!
After some effort Sami persuaded his boss to let him make the picture as decided earlier with small artistes. To play the title role Malathi was chosen. An import from the Telugu screen pretty Malathi was a Vauhini product who had made her name in B. N. Reddi's classic 'Sumangali'. A protegee of K. V. Reddi, she had acted in Jupiter's 'Sri Murugan' as Parvathi with MGR as Shiva.


Who would play the hero? One man, on the studio rolls appeared to a possible choice. He had good physique, and handsome, athletic in movement. His classical dance number in 'Sri Murugan' had impressed many especially Sami. After much hesitation he was fixed to play the lead. The actor was M. G. Ramachandran, a great moment, not only in his life but also Indian Film History.

The producer had planned 'Rajakumari' as an 11,000- feet picture, and after about 7000 feet were shot, nobody was impressed. To Sami's shock, S. K. Mohideen suggested seriously to his partner Somu, that the picture be abandoned! Somu was caught in a dilemma. If the picture were abandoned the future of Sami and MGR would be ruined. Only another 4000 feet were to be made and if the final product was still bad it could be burnt once and for all. Jupiter Somu, an enterprising man, gave his okay to Sami to go ahead who had a couple of interesting, amusing experiences in the making of this picture.


One was with Thavamani Devi who had a dress (designed by her!) so lowed in front that it caused ripples on the set!
The Sri Lankan charmer Thavamani Devi was cast as the vamp and to play a villain, another new man was brought in, an athletic gymnast and milk-vendor who would in later years create history in Indian cinema as one of the most successful producers of the country, M. M. A. Chinnappa Thevar, a legend in Indian Cinema.
Nambiar, Balaiah, and Swaminathan, and 'Pulimoottai' Ramaswami gave good support.
'Rajakumari' was released in 1947 and much to the surprise of Mohideen turned to be a big success! Cheaply made the profits were huge. Sami made a mark, and MGR was atlast a movie hero. The beginning of an astonishingly, amazing career of incredible success, a life of grand achievement that would be discussed for years to come.


The Film Ran For 168 days

MGR returns to Silver Screen

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